🧾 ( casas para alugar praia do cassino rio grande ) - 🧾 A artista e autora Faith Ringgold, conhecida 🧾 por seus tapetes narrativos que entrelaçavam arte com ativismo, morreu aos 93 anos. O falecimento de Ringgold, casas para alugar praia do cassino rio grandecasas para alugar praia do cassino rio grandecasa 🧾 casas para alugar praia do cassino rio grande Nova Jersey no sábado, foi relatado primeiramente pelo New York Times.
🧾 "Faith deixa um legado impactante de ativismo e advocacia 🧾 pela diversidade e inclusão que marcou profundamente o mundo da arte, inspirando incontáveis outras pessoas a usaremcasas para alugar praia do cassino rio grandevoz como 🧾 ferramenta de mudança social", disse Dorian Bergen, Presidente das ACA Galleries, que representavam Ringgold há quase três décadas, casas para alugar praia do cassino rio grande um 🧾 comunicado fornecido à casas para alugar praia do cassino rio grande . "Sentiremos muitocasas para alugar praia do cassino rio grandefalta e continuaremos nos comprometendo a continuar essa legacy compartilhando seu 🧾 trabalho, filosofias e vida com o mundo."
🧾 Ringgold, nascida casas para alugar praia do cassino rio grande 1930 casas para alugar praia do cassino rio grande Harlem durante o Renascimento de Harlem, draws inspiration from 🧾 the tumultuous social realities she lived through. As a student, her formal initiation in the arts was almost curtailed by 🧾 the City College of New York's regulations of the time, which restricted women to specific majors - art not being 🧾 one of them. However, Ringgold's determination led her to strike a deal with a school administrator: her art studies were 🧾 contingent upon primarily enrolling in the school of education, where women were allowed. 🧾
After earning her bachelor's degree in fine art 🧾 and education in 1955, Ringgold began teaching art in public schools while developing her own art. She later received a 🧾 master's degree in art from City College in 1959. Her early work was influenced by civil and racial unrest, and 🧾 had powerful political and social tones.
Série "The American People"
🧾 Entre 1963 e 1967, Ringgold portrayed fraught race relations in America in 🧾 a series of paintings titled "The American People Series." The series' final painting, "American People Series 20: Die," is a 🧾 vivid critique of the violent riots of the Civil Rights era. The painting, arguably the series' most famous, gruesomely depicts 🧾 a group of men, women and children brutally attacking one another. It is now part of the Museum of Modern 🧾 Art's permanent collection.
🧾 "I became fascinated with the ability of art to document the time, place, and cultural identity of the 🧾 artist," she told the Museum of Modern Art. "How could I, as an African American woman artist, document what was 🧾 happening around me?"
🧾 Ringgold's early work did not enjoy much success at the time, driving the mother of two to take 🧾 her activism to the streets for causes such as women's representation - especially of Black women - in mainstream art 🧾 exhibitions and collections. In 1970, Ringgold was arrested and charged with desecrating the American flag for co-organizing the "People's Flag 🧾 Show," an exhibition protesting against the Vietnam War, and for artists' First Amendment right to use the flag as material. 🧾
"They 🧾 didn't keep me in for long because the media was watching," she told the New York Times of her sentencing. 🧾
Quilts de Ringgold
🧾 Around the same time, Ringgold began incorporating new materials into her art. She experimented with sculpting in wood and 🧾 clay, but the dust triggered her asthma eased her to shift ...